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Público·11 miembros

Brussels International Festival Of Contemporary Silent Film Fix


The Centre Multimedia in Brussels founded the Brussels Independent Film International Festival (Festival International du Film Indépendant de Bruxelles) in 1974, to focus explicitly on super-8 films and other technically experimental cinematic styles. Although the festival was originally devoted to more highly experimental pieces, it expanded to include many different types of independent offerings.




brussels international festival of contemporary silent film



During its original thirty-eight year run, the festival shone a much needed a spotlight on different, small national cinemas (for example, Lebanon in 2012 and Egypt in 2009). Ir ran a special competition for films by and for the deaf (from 1991 until 2012) as well and hosted national and international award competitions each year. It also created a program for young adults interested in making movies.


The festival has hosted many noteworthy filmmakers: Pedro Almodóvar (All About my Mother, Talk to Her), François Ozon (Swimming Pool, 8 Women), and Nanni Moretti (The Caiman). Unfortunately, in its original incarnation, the festival came to an end in 2012.


Brussels Independent Film Festival is- An IMDB qualifying film festival- Named as one of the Top 50 Film Festivals worldwide by iFilmFestival.com.- A 'Climate Neutral Film Event', powered by TreePlan.org.- An official festival partner of The Producer's Night Los Angeles (producersnight.com).


- CONNECTING CULTURES PROGRAM: Each year, The Bigger Screen selects ten countries and grants filmmakers from those areas the ability to submit their work free of charge to partner festivals all over the world. This opens the door of film exposure to those who may not otherwise be able to enter. As we support inclusivity and shareable films, this program exemplifies our mission.


- LOCAL FILMMAKERS PROGRAM: We understand that the cost of making a film can be taxing, so to encourage rising talent, we waive the festival submission fee to local talent. With numerous worldwide locations for festivals, this provides great opportunity for filmmakers around the world to enter the international film scene. This opportunity opens the world of film. Think global, act local, right?


- THE TARKOVSKI GRANT: All selected filmmakers will receive The Tarkovski Grant, a film festival submission fee waiver package with an average value of about $250. This not only saves you a lot of money, but it also recognizes your work as something to watch for during the selection procedure, making a selection with another partner film festival more likely - but of course, never guaranteed. The Tarkovski Grant supports hundreds of filmmakers each year in their challenging journeys as independent filmmakers, by promoting existing films, no matter the genre, style or length.


After seeing its live screenings cancelled last year in light of Covid-19 regulations, the Brussels Independent Film Festival was pleased to welcome back guests in person for a special double edition this year. Screening both last year's selection (take a look back at the 2021 award winners on the website: www.brusselsfilmfestival.org/2021-edition), and the new 2022 selection, the event proved to be packed full of cinematic gems. Over the course of 10 days, the festival screened more than 200 feature and short films from 45 countries at Tour & Taxis, Cinema RITCS, Kinepolis Brussels, and Cinema Galeries. On closing night, this year's festival edition was concluded with a Filmmakers Networking Drink at RITCS Café, sponsored by CA/ST Casting Studio. The festival was also pleased to welcome several special guests at its screenings - filmmakers, actors and crew members of the official selection: Alisi Telengut, Anne-Sophie Reinhardt, David Borchkhadze, Goga Devdariani, Sandro Gabilaia, Maia Gurabanidze, Masho Tevdorashvili, Glenn Dumortier, Marius Lefever, Sylvia Borges, Leyokki, David Cabannes, Marijke De Belie, James Smith, Victor Ridley, Alice Spa, Alex Anna, Clément Natiez, Sonsoles Masiá, Simon van der Zande, Ousmane Diallo.


All selected filmmakers will receive The Tarkovski Grant, a film festival submission fee waiver package with an average value of about $250. This not only saves you a lot of money, but it also recognizes your work as something to watch for during the selection procedure, making a selection with another partner film festival more likely - but of course, never guaranteed. The Tarkovski Grant supports hundreds of filmmakers each year in their challenging journeys as independent filmmakers, by promoting existing films, no matter the genre, style or length. The Tarkovski Grant is supported by film festivals from all over the world. Find out more here: www.thetarkovskigrant.org


All selected films are also automatically in the running for Producer's Night.Producer's Night is an opportunity for independent filmmakers to have their work screened to a private group of elite Hollywood producers. For many directors, it could mean their ticket to the mainstream. The exclusive screening presented by Cinematory and Tarkovski, will show the best of independent cinema from the past year's film festivals at the Lee Strasberg Theatre and Film Institute in West Hollywood. The only way to be considered for this by being selected at one of the partner film festivals. Brussels Independent Film Festival is a proud partner film festival of Producer's Night. More information: www.producersnight.com


Optional: an exclusive one-on-one interview on www.iFilmFestival.com. The Brussels Independent Film Festival would like to offer more exposure to selected filmmakers and their work. Selected filmmakers will be invited after the festival to answer some online interview questions (about their work, future projects, views on film,...) if they wish to do so. The interview will appear as an article on film festival news page www.iFilmFestival.com, and will be shared on the Brussels Independent Film Festival's Facebook page. The interview will only be used within this context, and won't be used for other purposes without the filmmaker's permission.


SUBMISSIONSThe Brussels Independent Film Festival accept all forms and genres. All non-English language films must be subtitled in English. Entry does not guarantee acceptance into the festival. Submissions WILL NOT be returned. We also accept submissions that have premiered elsewhere and that may have distribution agreements already in place. Rough cuts and incomplete projects are not accepted. Multiple entries are allowed, however a separate entry form must be submitted for each. The festival has the capability to screen BluRay and DVD.


EXHIBITION & SCREENINGScreenings are scheduled during the Festival at the discretion of the Brussels Independent Film Festival. Whilst every effort will be made to adhere to the published schedule, Brussels Independent Film Festival reserves the right to make changes at any time for any reason. Brussels Independent Film Festival will not be liable for any costs claimed as a result of a change in scheduling. No film may be withdrawn from the festival program after its selection. If chosen as an official selection, Brussels Independent Film Festival is granted the permission to exhibit the film at the Brussels Independent Film Festival and all associated screenings. Location and timing of any screenings of the film shall be the sole decision of the organizers of the Brussels Independent Film Festival. Filmmakers will be solely responsible for all costs resulting from the submission of the film to the Festival including but not limited to postage or insurance of the film, and expenses of your staff or any representatives of the film. Producer will indemnify the organisers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.


SCREENING FEEThe festival does not offer screening fees for its films. By submitting through FilmFreeway you are agreeing to NOT request a screening fee as a requirement for your film's participation in the festival, should your film get selected for the program.


network for contemporary silent film We want to bring the poetry of silent moving images back to the present! As a group of musicians, artists and film professionals we create a platform for contemporary silent movies. Therefore we are building up a network and organize events to connect the roots of cinematography with the present aesthetics of image and live music production. Click here to read more about the questions: Can silent cinema still exist today and what defines a silent film? Silence is not silent.


Germany Directors Lounge (festival), Berlin Naherholung Sternchen (club), Berlin Regenbogenkino (cinema), Berlin Sputnik Kino (cinema), Berlin Lichtblick Kino (cinema), Berlin Roter Salon/Volksbühne (theatre), Berlin Freilichtbühne Weissensee (cinema), Berlin Caligari, ehem. Stummfilmkino Delphi (cinema), Berlin interfilm short film festival Berlin ZEBRA Poetry Film Festival, Berlin ARTembassy (gallery), Berlin Stummfilm:DJ (collective), Cologne & MunichBeat the Silence (festival) in Düsseldorf HBK Braunschweig (university)


Greece Goethe-Institut Athen National Museum of Contemporary Art (EMST), Athens Beton7 (art space), Athens 6.D.O.G.S (art space), Athens CAMP (art space), Athens M55 (gallery), Athens crypt / booze (club), Athens Exile-Room (film production & workshop space), Athens Circuits and Currents (project space), Athens Iris cinema (university cinema club), Athens Goethe-Institut Thessaloniki State Museum of Contemporary Art (SMCA), Thessaloniki Contemporary Art Center in Thessaloniki (CACT) Anima Syros (festival), Syros


The silent film received a voice dubbing in 1930, was restored in 1950 (composer Nikolai Kryukov) and reissued in 1976 (composer Dmitri Shostakovich) at Mosfilm with the participation of the USSR State Film Fund and the Museum of S.M. Eisenstein under the artistic direction of Sergei Yutkevich.


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