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Ancient Egyptian Music, Arabic Instrumental Music, Relaxation Music, No Copyright Free Music __HOT__

Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. African music also uses a large variety of instruments across the continent. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as salsa music, son cubano, rumba, conga, bomba, cumbia, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music.[1]

Ancient Egyptian music, Arabic instrumental music, relaxation music, no copyright free music


Many other cultures has studied African music though time, hence the mass influence that it has had on others. For instance, in December of 2002, the Swiss Society for Ethnomusicology held multiple conferences in attempt to study the music of Ghana. These ethnomusicologists taking part in the study looked to learn aspects of history through music, along with traditions. Additionally, some ethnomusicologist, such as John Collins looked to study more specific aspects of music from Ghana, such has the presence if Christianity in popular music.[3]

The playing of polyrhythms is one of the most universal characteristics of Sub-Saharan music, in contrast to polyphony in Western music. Several uniquely designed instruments have evolved there over time to facilitate the playing of simultaneous contrasting rhythms. The mbira, kalimba, Kora, Ngoni and dousn'gouni are examples of these instruments which organize notes not in the usual single linear order from bass to treble, but in two separated rank arrays which allows additional ease in playing cross rhythms. The continuing influence of this principle can be seen in the 20th century American instruments the gravi-kora and gravikord which are new modern examples.

African popular music, like African traditional music, is vast and varied. Most contemporary genres of African popular music build on cross-pollination with western popular music. Many genres of popular music, including blues, jazz and rumba, derive to varying degrees from musical traditions from Africa, taken to the Americas by enslaved Africans. These rhythms and sounds have subsequently been adapted by newer genres like rock, soul music, and rhythm and blues. Similarly, African popular music has adopted elements, particularly the musical instruments and recording studio techniques of western music.

In West Africa, Fela Kuti and Tony Allen performed Afrobeat music.[24] Femi Kuti and Seun Kuti followed their father Fela Kuti.[25] One of the most important 20th century singers of South African popular music was Miriam Makeba, who played a key-role, in the 60s, in drawing global audience's attention to African music and its meaning. Zenzile Miriam Makeba was said to have been one of the most influential and popular musicians of Africa, beginning in the 1950s. She was a part of three bands, including one all-woman band and two others. She performed all types of jazz music, traditional African music, and music that was popular in Western Africa at the time. Miriam played a majority of her music in the form of "mbube", which was "a style of vocal harmony which drew on American jazz, ragtime, and Anglican church hymns, as well as indigenous styles of music." After she moved to the U.S., problems with Makeba's passport occurred and she had to stay in America, it was said that she put an American twist on most of her African music. She had a very diverse scale of her vocal range and could hit almost any note.[26][circular reference] "The Empress of African Music" died at the age of 76.[27]

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Audiovisuals and multimedia projects. Documentary soundtrack. In this category you will find environmental music, to put in background in your documentary videos of Arab. Choose quiet sound environments for landscapes of Arab, or aerial music for aerial videos. You will also find music for nature videos. Musical backgrounds to enhance the images of multimedia or audiovisual projects. Royalty-free soundtracks that will make your videos take on the importance of your images of Arab. The freeaudiolibrary music library is ideal for YouTube as well as for any video posted on web pages. Freeaudiolibrary offer you the perfect complement to any project of video editing searches through its categories the music produced by our authors. Freeaudiolibrary we are a company specialized in the sale of music of libraries free of copyright. We have a great music catalog for all kinds of soundtracks, epic music, suspense music, intriga. Chose your soundtrack to put music in your documentary, video or TV report.Download free music and free sound effects shows extensive library all without copyright. You will not have to pay Sgae or any managing entity.

Download royalty-free music or licenses. Our online music library is completely royalty-free. If you register you can download the music you need. You will only have to pay once for the royalty free music, and you can use it as many times as you want and in the productions that you want. You will never have to worry about copyright protection issues or complicated licensing terms. All the music of Freeaudiolibrary is made by musicians who do not belong to any management entity, therefore it is free of copyright, and therefore the management entities can not charge their cannon. Each of our more than 20,000 royalty-free music can be heard without registration, and demos can be downloaded to show to customers. Once registered you will be able to access all the original library music in mp3 format of high quality

Selecting royalty-free music and background music. Our royalty-free library music library features an excellent selection of royalty-free music. You can find music of any genre or style imaginable within royalty-free music. We offer a selection of royalty free music for any type of music, from the most traditional classical music to hip hop and progressive rock, to New Age music more experimental and innovative. All music tracks are composed, arranged and performed in an exquisite way that makes this instrumental selection of music from the library is unique in the sector. Freeaudiolibrary is the definitive source of production music, background, for movies, for television, for video production and corporate music free of copyright. It offers music of the best quality, but it is affordable since it has no royalties. With Freeaudiolibrary you can download background music of our entire library.

Religious music, represented in singing and chanting performances, in the first decades of Islamic civilization belonged to public festivals and occurred during holidays such as Feasts and the holy month of Ramadan. Dhikr, which is remembrance of God and his Prophet, was performed by groups of brotherhoods and was limited to places which are mosque-like and called Zawya. In other religious occasions, chanting praise of God, his prophets and his family, Ahl al-bayt, madiḥ or ibtihalat, used to be performed on the top of the minaret of the mosque.

Andalusian and Sufi music as well as Inshad, Dhikr and Ibtihalat have become very appealing type of music in Egypt. Concerts and musical performances witness large number of audience regardless of their religious orientation. Spiritual music, gained media attention; production companies, started to sponsor video clips for religious songs.

In-depth interviews with experts in the three fields are involved in the premise of the study; religion, music, and media, have been conducted, in addition to a review of the existing literature. Case studies are also presented to provide examples of contemporary religious and spiritual performers.

The second question, which is media is the main reason behind the popularity of spiritual and religious music, did not find support in this study. Most data showed that media is a contributing factor to the success of religious and spiritual music, but not the main factor.

The second example is the Mūnshid Zain Mahmoud, who was born in a village in the governorate of Minya and learned al-Sīra al-Hilalyah.[28] Zain settled in France for years and established an art school that teaches oriental music, Inshad, and Dhikr. He came back to Egypt with the dream to revive and preserve the folkloric heritage of Sira Hilalyah. He established an art school in Sayeda Zainab neighborhood and will inaugurate another one in Luxor. Much like his students in France, who were mostly youth, most of his Egyptian students are youth. Some well-known Egyptian actresses like Mona Zaki are also fans of his music and attend Dhikr sessions.

The third example is Amer Eltouny, who graduated from the School of Education with a specialty in Arabic Language in Minya, and worked for several years as an Arabic language teacher. He moved to Greece and spent six years there where he became attracted to their music, which he found to be very close to oriental music. Soon after, he changed his career and shifted to music merging Arabic lyrics with Greek melodies. When he came back to Egypt, he established a film production company that did not last long. He joined the Arts Academy and specialized in Theatrical Criticism for an MA, and as he excelled in this branch of knowledge, his Ph.D dissertation was on the symbolic art performance of Mawlawya.

Monthly, the location hosts at least one concert in addition to workshops. They offer Inshad, Sufi music, and Mawlaya workshops. Ahmed Hassan, Projects Unit Supervisor at Bayt Al Sinnari, said that audiences become attached to this type of art because of the spiritual atmosphere. Tickets for the concerts are often sold out, and workshops led by munshids are filled quickly. 041b061a72

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